tag:blogger.com,1999:blog-7644330977663735375.post2739409862347835183..comments2023-11-26T22:21:43.159-08:00Comments on The Lyrical Thyagaraja (Tyagaraja Darshana): Mokshamu kaladaLyrical Tyagaraja Bloghttp://www.blogger.com/profile/10062299490095360091noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-7644330977663735375.post-15059085239336769222015-02-17T06:43:03.037-08:002015-02-17T06:43:03.037-08:00Well, I would break it down this way... there is t...Well, I would break it down this way... there is the development of the sound of the Omkara and its meaning in the Chandogya. It discusses too, the value of songs and music in the saman hymns and so forth. And Tyagaraja does refer directly to the sound of the Om producing the notes. So, we can plausibly make the connection you do. But, as we emphasize upon rigor and historical accuracy in this site, given he repeats this same idea in other songs, I wouldn't venture to say for certain that this is the exact allusion he makes here. Lyrical Tyagaraja Bloghttps://www.blogger.com/profile/10062299490095360091noreply@blogger.comtag:blogger.com,1999:blog-7644330977663735375.post-52308327566857550772015-02-01T21:45:31.753-08:002015-02-01T21:45:31.753-08:00I think the concept of AUMkara to development of m...I think the concept of AUMkara to development of music (Samavedam) has its mentioning in Chandogya upanishad and Tyagaraja was inspired by that.Anonymousnoreply@blogger.com